The incarnate of the Seven Deadly Sins are also all appropriately terrifying and don’t crumble under the weight of their effects. The movie never hits this high again (although the showdown with the Humunculus towards the end comes close) and the sort of kinetic choreography that’s present from the anime comes in and out of the film.ĭespite the abundance of CG, the alchemy effects are a delight to watch in action (especially Roy Mustang’s fire alchemy) and it’s surprising just how good Alphonse’s suit of armor looks for something that’s entirely CG. When it comes to the film’s version of these it feels like most of the effort was channeled into the movie’s first big fight scene, which is absolutely perfect. The movie often uses CG to augment scenes in incredible ways, which absolutely adds to the film’s unbelievable action and sense of suspense and helps make Al’s movements look as fluid as they need to be. One of the reasons that people love Fullmetal Alchemist is because of its breathtaking battle scenes. Sori impresses with many of these battles, but he unfortunately leans a little too hard on CG this time around. That’s not exactly surprising to hear since Ping Pong is full of impressive choreography and cinematography that perfectly lends itself to something as chaotic and action-packed as Fullmetal Alchemist. In fact, he apparently got this gig because of his work on his adaptation of Ping Pong. This does feel a little strange at first and Sori has spoken about his reluctance about this decision, but it’s a choice that makes sense due to the nature of this production.įullmetal Alchemist isn’t the first anime that Fumihiko Sori has adapted to live-action. Sori uses an entirely Japanese cast here even though the film is set in Europe (specifically Italy). Some moments are dead-on, but he sometimes lacks the alarmingly chipper attitude that fuels Ed in the anime. The rest of the cast, like Dean Fujioka who plays the conflicted Roy Mustang, and Yasuko Matsuyuki, who brings the unhinged monster Lust to life, all channel their anime equivalents well. However, when the film moves into more challenging territory Yamada does seem to have a harder time channeling Ed’s more complex emotions. In spite of this, Yamada has the right look for the innocent, naive elf-like character. Yamada is from the pop-idol group Hey! Say! JUMP and he’s more of a musician than an actor. The role goes to Ryosuke Yamada, which apparently caused a fair bit of controversy over in Japan. Sori’s casting of Ed may be a big point of contention for some viewers. That’s still a fair bit to cram into a single film and Fullmetal Alchemist definitely feels like it covers a lot of ground. Ed then sacrifices a literal arm and a leg in order to bind Al’s soul to a suit of armor and at least allow him the ability to move and speak. It’s not practical to cover approximately 60 anime episodes worth of material, so Sori’s film tackles the infamously tragic first arc of the series. It’s a disastrous decision that leads to Alphonse losing his entire body. Life and death aren’t to be played around with, yet Ed and Al persist and try to bring back their dead mother. It’s a simple enough shonen-style narrative and the series excels in its efforts to throw wild concepts at the audience, but this bizarre jumble of science, magic, civil war, and action somehow comes together, just like…alchemy. Alchemy itself is given a lot of leeway in the film’s universe, but one area in which there are a number of restrictions is when it comes to the topic of resurrection. Sori taps into the spirit and wondrous feeling of the anime and it’s clear that he is a fan of the source material, which is paramount for a project of this nature.įullmetal Alchemist tells the story of the two Elric brothers, Edward and Alphonse, two prodigies on the hunt for the elusive Philosopher’s Stone. Fumihiko Sori’s film adaptation isn’t a complete success, but there are moments where the movie is pure magic. Fullmetal Alchemist (and Fullmetal Alchemist : Brotherhood) is considered by many to be one of the best anime of all time. On the other hand, Takashi Miike tends to strike gold with the genre and has turned challenging works likes Phoenix Wright, Terra Formers, and Jo Jo’s Bizarre Adventure into worthwhile films, while the recent live-action take on Gintama was surprisingly impressive.īut it’s an uphill battle for something like Fullmetal Alchemist, especially when the property in question is such a beloved series. Recent adaptations of Tokyo Ghoul, Death Note, and Attack on Titan were all met with mixed reactions (and the less said about Ghost in the Shell, the better). Live-action anime adaptations are especially difficult propositions.
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